For many decades Bollywood has had iconic baddies. From Ajit as LION to Amjad Khan as the unforgettable Gabbar Singh to Amrish Puri as Mogambo. They were unabashedly bad making no excuses for their actions. You had to hate them and in doing so love the characters. They often became more defining than the heroes themselves, stronger protagonists whose destruction became the raison d'ĂȘtre for the film.
Somewhere today this memorable character has disappeared. In the fuzz of grey characters there are no villians anymore. Only people with questionable actions and morals spanning the spectrum between black and white without being either. So much so that the category of "Best actor is a villainous role" has all but disappeared from award shows.
One could argue that this is more real, more nuanced, that people are hardly all good or all bad; that it is time that Bollywood got more realistic and less over the top in its portrayal of characters. And this is an argument that does hold good. Films have gotten more realistic, less melodramatic and on the whole more relate-able. I don't think I ever believed that someone like Mogambo or Shaakaal could exist with all the fancy hideouts with women dancing in silhouettes.
While I am all for realistic portrayals and characters who are relate-able, I do wonder if the blurring distinction between good and bad is what has led to audiences often complaining that they don't understand what the movie is trying to say. Yes, all of us are grey and by that token, grey characters should probably be easy enough to decode. Only they aren't; they aren't because in a two-three hour film, you get but a fleeting glance of their lives and their thoughts; they aren't because decoding them is too much work when you are out looking just for entertainment; they aren't because decoding them raises uncomfortable questions about your own life and actions.
And lastly I lament the passing of the villain because I wonder if it also means the passing of the hero. Batman, after all, wouldn't be Batman without The Joker.
Somewhere today this memorable character has disappeared. In the fuzz of grey characters there are no villians anymore. Only people with questionable actions and morals spanning the spectrum between black and white without being either. So much so that the category of "Best actor is a villainous role" has all but disappeared from award shows.
One could argue that this is more real, more nuanced, that people are hardly all good or all bad; that it is time that Bollywood got more realistic and less over the top in its portrayal of characters. And this is an argument that does hold good. Films have gotten more realistic, less melodramatic and on the whole more relate-able. I don't think I ever believed that someone like Mogambo or Shaakaal could exist with all the fancy hideouts with women dancing in silhouettes.
While I am all for realistic portrayals and characters who are relate-able, I do wonder if the blurring distinction between good and bad is what has led to audiences often complaining that they don't understand what the movie is trying to say. Yes, all of us are grey and by that token, grey characters should probably be easy enough to decode. Only they aren't; they aren't because in a two-three hour film, you get but a fleeting glance of their lives and their thoughts; they aren't because decoding them is too much work when you are out looking just for entertainment; they aren't because decoding them raises uncomfortable questions about your own life and actions.
And lastly I lament the passing of the villain because I wonder if it also means the passing of the hero. Batman, after all, wouldn't be Batman without The Joker.






Hmmm... interesting and while I agree that nationalism in the jingoistic or patriotic sense is becoming rather dated because of our interdependence on and our interaction with people from all parts of the globe, I think nations will linger on as a way of expressing cultural identities.
Also, I think the need of distinguishing ourselves as unique is very strong which is why we adopt multiply multiple identities which identifies us with some people but distinguishes us from others, making the whole combination unique and thus, setting each one as distinct from the other as an individual. So even if the identity of a nation fades, something else will always take its place.
And the problem is not with the identity or classification itself but with how we use it to discriminate, stereotype, dominate and exploit. Therein lies the problem and not in the fact that these identities exist because ultimately things like sex, religion and caste are only means of concretising the abstract known as existence.
January 31, 2008 11:33 PM
Agree totally with all that - and i agree that nations will continue to exist as administrative and cultural units. But I must again reiterate that over time I do think it will cease to be the strongest part of our identity - which it still is for a lot of us. India is a difficult example because even at the micro level these things are a strong part of our identity - not only does it matter to us that we're indian, it also matters which state we're from, what religion we are, etc. A better example is the US - Americans can be very very patriotic and nationalistic. But it doesn't matter that much which particular state they're from, for example. That for me, is a reflection of what nationalism will (or at least, should) become one day - where all these boundaries still exist, but they don't matter that much. And it would still be a part of our identity as we see it, but we would not allow it to discriminate against others, as our shared common identity as i described it would be more valuable to us.
February 1, 2008 7:12 AM
Sure... but my argument is essentially this that if not nationalism, there will another identity that will become equally powerful, evocative and discriminatory because identities or ideas of the body as a social construct is how we identify ourselves.
So it is, from a purely philosophical and academic point of view, not important which identity occupies that position but that AN IDENTITY does.
History has seen a long succession of such identities from caste to religion to language... the nation is probably the most abstract of these identities so far because you can't really define it (it transcends the geographic definition of a state as well). Blood has been shed in the names of all these identities sometimes to a greater degree and sometimes to a lesser degree. There is a certain cyclicity to it only that the level of complexity increases with the level of abstraction that one invests into the identity.
February 1, 2008 9:50 AM
PS: this conversation makes for an interesting post in itself... maybe you should copy paste it beneath your original article... or with your permission i will do so on my blog.
February 1, 2008 9:51 AM
sure there is something that does and always will form our identity - but its not just circular. Let's take an example. Fifty years ago, in India, your identity was not just that you were an Indian, but also included which part you came from, what your religion was, what your caste was, your subcaste, your family name, etc. Today we've shed some of the more micro-level identities, but still hold on to some large ones. You and I dont hold on to all the things our parents hold on to as a part of our identities. So its not just cyclical - but sort of spiraling outwards, where our identity is, as you said, becoming more and more abstract and high level. So the next stage in that, I think, is developing a global, human identity. And who knows what after that... :)
I'm not contending, therefore, that we will lose things to hold on to as part of our identity - I just mean that what we hold on to will eventually become more high-level, and hopefully reach a stage where we won't have to discriminate amongst each other on the basis of that.